Blog - Page 3

Talking Pictures #18: John Ottman, Director of URBAN LEGENDS: FINAL CUT

For today’s episode, I had the honor and pleasure of talking to John Ottman, best known as the editor and composer of several X-MEN films – X-MEN 2, DAYS OF FUTURE PAST and APOCALYPSE – and of other Bryan Singer movies like THE USUAL SUSPECTS, VALKYRIE and SUPERMAN RETURNS. In 2019, he won an Academy Award for editing the Queen biopic BOHEMIAN RHAPSODY. He’s also scored numerous other well-known films like THE NICE GUYS, HOUSE OF WAX, GOTHIKA, UNKNOWN and NON-STOP. Our conversation, however, revolves around John’s feature film debut as a director: URBAN LEGENDS: FINAL CUT from 2000, the

More

Talking Pictures #17: Jamie Blanks, Director of URBAN LEGEND

Today’s guest is Australian horror movie director and genre aficionado Jamie Blanks. Jamie made a name for himself with his 1998 feature film debut URBAN LEGEND, a neo-slasher movie that came out in the wake of Wes Craven’s SCREAM movies and which told the story of a madman whose killings are based on popular urban legends. With a great cast of people like Alicia Witt, Jared Leto, Joshua Jackson, Robert Englund and Brad Dourif and a keen sense of style, the film became a hit which spawned two sequels. Jamie then made another stylish slasher movie, VALENTINE, which took its

More

Talking Pictures #16: Jan de Bont, Director of TWISTER

Filmmaker Jan de Bont became famous as one of the most creative and exciting cinematographers of the 70’s, 80’s, and 90’s. He started out in the Netherlands where he worked on Wim Verstappen’s controversial film BLUE MOVIE and quickly became known for his collaborations with director Paul Verhoeven on movies like TURKISH DELIGHT, KEETJE TIPPEL and THE FOURTH MAN. He continued working with Verhoeven in America on FLESH & BLOOD and BASIC INSTINCT and became a sought-after DP for blockbusters like DIE HARD, THE HUNT FOR RED OCTOBER, LETHAL WEAPON 3 and FLATLINERS. But Jan de Bont is also a

More

Talking Pictures #15: Steve Beck, Director of THIR13TEN GHOSTS and GHOST SHIP

Filmmaker Steve Beck created two notable horror movies in the early 2000’s: THIRTEEN GHOSTS, which came out in 2001, and GHOST SHIP, which followed in 2002 – both of them produced by Robert Zemeckis, Joel Silver and Gilbert Adler for their company Dark Castle Entertainment. THIRTEEN GHOSTS was a remake of William Castle’s B-movie classic by the same name from 1960, whereas GHOST SHIP was an original story. Both movies are effective ghost stories starring several recognizable actors like F. Murray Abraham, Gabriel Byrne, Tony Shalhoub, Matthew Lillard, and even a young Emily Browning. The real star of both films,

More

Talking Pictures #14: Bert I. Gordon, Director of THE AMAZING COLOSSAL MAN

Our latest episode features a very special interview with a legendary filmmaker who put his own unique stamp on horror movies. His initials are B.I.G., and size is also one of the major themes of his movies which featured giant lizards, giant grasshoppers, giant cats, giant spiders, giant rats, giant ducks and yes, even giant teenagers. I’ve had the pleasure of talking to Mr. Bert I. Gordon, who, starting in the Fifties, created many beloved B movies like THE CYCLOPS, THE AMAZING COLOSSAL MAN, BEGINNING OF THE END, EARTH VS. THE SPIDER, ATTACK OF THE PUPPET PEOPLE, VILLAGE OF THE

More

Talking Pictures #13: Zak Penn, Screenwriter of READY PLAYER ONE

Today’s guest is Zak Penn, best known as a screenwriter on several big-budget superhero movies like X-MEN 2, X-MEN: THE LAST STAND, THE INCREDIBLE HULK and THE AVENGERS. Zak also wrote the 1993 comedy LAST ACTION HERO starring Arnold Schwarzenegger, and he directed a wonderful mockumentary called INCIDENT AT LOCH NESS, in which he, together with German director Werner Herzog, ventures out to find the Loch Ness monster. My conversation with Zak focuses on his work on Steven Spielberg’s 2018 sci-fi movie READY PLAYER ONE, which Zak adapted from Ernest Cline’s novel by the same name. The story is set

More

Talking Pictures #12: Jeremy Pikser, Co-Writer of BULWORTH

Today’s guest is screenwriter Jeremy Pikser, best known as the co-writer of Warren Beatty’s political satire BULWORTH for which they got both an Academy Award and a Golden Globe nomination. In BULWORTH, a senator decides to end his life and spend his last few days telling the truth wherever he goes during his re-election campaign – which, naturally, completely disrupts the world of politics. Jeremy talks about the genesis of the movie, which came out in 1998, during Bill Clinton’s 2nd term, about the difficult writing process with Warren Beatty, about truth in politics, about the often-discussed ending of the

More

Talking Pictures #11: Joshua Michael Stern, Director/Writer of SWING VOTE

Today’s guest is director and screenwriter Joshua Michael Stern, best known for his 2013 biopic of Steve Jobs starring Ashton Kutcher, and his 2016 TV series GRAVES starring Nick Nolte as a former president of the United States. In our conversation, we focus on Stern’s 2008 movie SWING VOTE which stars Kevin Costner as a working-class man who suddenly finds himself in a very curious position: through several circumstances, the outcome of the current presidential election will depend on his vote – and so both political parties try to win him over by tailoring their campaigns to what they think

More

Talking Pictures #10: Jackie Kong, Director of BLOOD DINER

Today’s guest is cult filmmaker Jackie Kong, best known for her outrageous horror comedy BLOOD DINER – the charming story of two homicidal brothers who dig up their uncle’s corpse and follow the instructions from his undead brain to kill a large number of people so that they can use the body parts to resurrect the ancient Lumerian goddess Sheetar. The film, which came out in 1987, is now well-regarded as an underground cult movie which has seen quite a few successful revival screenings in the past few years. Kong made her first film in her early twenties: a monster

More

Talking Pictures #9: Charlie Haas, Screenwriter of MATINEE

Today’s guest is screenwriter Charlie Haas, best known for his work with cult filmmaker Joe Dante. Our conversation focuses on their movie MATINEE, released in 1993 – a love letter to the horror films of the 50’s and 60’s set during the Cuban Missile Crisis: John Goodman plays Lawrence Woolsey, a producer not unlike William Castle, who comes to Key West, Florida, to promote his new monster movie MANT! – half man, half ant, all terror! The story is told from the perspective of a young boy who loves horror cinema, and who befriends the eccentric producer while out in

More